To buy, license, or simply talk about candy: hello@byelectra.com / @adrianamoram
© 2026 COMMERCIAL CONFECTIONERY. All rights reserved worldwide.
CDMX
CAD. 07/1998
Commercial Confectionery is a photographic and editorial project that examines
how context reshapes the perception of value and cultural significance.
Its subject is Mexican mass-market candy — the kind found at every dulcería and street stand — photographed
with the visual reverence typically reserved for luxury objects. Precision instruments, clinical environments,
and careful composition bring a new seriousness to objects already rich with color, memory, and identity.
The tension between these two registers — the playful and the rigorous — forms the project's central visual argument.
On Visual Culture:
The Commercial Confectionery Study
In an era where authenticity battles aspiration, we find ourselves examining the curious rituals of cultural elevation.
We wonder if theres a formula that transforms the mundane into the magnificent? How does context reshape meaning?
These questions drove our recent exploration into the visual language of value perception.
The Mexican confectionery—with its riot of colors, textures, flavors and unapologetically bold packaging—presents
a fascinating case study in cultural expression. These confections, found in every street corner and street stand across Mexico,
carry within them layers of memory, identity, and shared experience that extend far beyond their commercial function.
The Methodology
Our investigation began with a simple premise: apply the visual reverence typically reserved for luxury objects
to mass-market products that could serve as compelling case studies. We wanted to ground this visual investigation in
items from popular markets—well known for being accessible to everyone.
The confectionery category emerged as an obvious choice, offering an extensive library of typologies—diverse forms,
textures, colors, and design approaches within a single product category. Through careful curation
(selecting for texture variation, transparency, scale, and chromatic diversity) we curated a collection that
highlighted the striking colors and forms that make these candies naturally photogenic subjects.
We wanted to intensify the visual tension by incorporating precision instruments into our compositions.
Cold steel against vibrant polymers. Clinical environments hosting playful forms. This approach created a
new visual vocabulary—one that questions our preconceptions about worth, craft, and cultural significance.
On Process
The absurdity of our approach by photographing ordinary candy with the seriousness typically applied to Swiss watches or Italian
leather goods, became our central fascination. This deliberate overtreatment revealed new possibilities within familiar forms,
demonstrating how perspective and presentation can entirely reshape audience perception.
We fully embraced this contradiction, creating a visual language that celebrates the inherent qualities of these candies
while questioning why certain objects receive serious attention and others don't. The process itself became as
important as the final images—a playful yet rigorous exploration of how context transforms meaning.
THE EDITORIAL
The editorial object extends this logic into physical form. Drawing its aesthetic DNA from the dulcería and papelería,
the projectis delivered as a curated set: a custom envelope containing a double-sided poster, an 18-page zine collecting the complete
photo series alongside written reflection, and a holographic postcard. The container speaks the same language as the contents.
specifications
about the authors
Adriana Mora and Cèlia Pladevall are a Mexico City–based creative duo who have developed a practice
that treats commercial image-making as cultural investigation. Their collaborative work explores the intersection
of design, identity, and perception through projects that challenge conventional hierarchies of value.
Daniel Martínez is a Mexico-based creative director and graphic designer whose work approaches visual
creation as a form of cultural investigation. Drawing from a wide vernacular of art and historical visual
culture reinterpreted through pop culture references, his practice spans branding, spatial curation, and product
experience, exploring how identity can be expressed through distinctive visual languages,
expressive typography, and a deliberate use of color.
STUDIO INQUIRIES:
[Photography and Art direction: hello@byelectra.com]
[Brand Identity and Editorial Design: daniel@dml.studio]